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Reflections on culture, creativity, and the moments that shape our lives in Ghana and beyond.

Thursday, January 22, 2026

Fuel Prices Drop, Transport Fares Stay High: A Familiar Ghanaian Story

 


Fuel prices have dropped, hooray! Whiles the car-owner is quietly popping champagne, or at least imagining it, the ordinary passenger is crying. You’d think cheaper fuel would mean cheaper trotro rides or long-distance fares. Think again. In Ghana, prices only go up; a downward adjustment is usually an optical illusion.

For commuters, fares remain stubbornly high, sometimes even higher. Some drivers have taken it a step further, using transportation bottlenecks as justification to hike fares, leaving passengers scratching their heads, their wallets, and in some cases, stranded.

Citizens cry foul. “Shouldn’t cheaper fuel mean cheaper rides?” they ask. Meanwhile, commercial drivers lament: “Spare parts prices haven’t changed!” Ah yes, the eternal tug-of-war where both sides have valid concerns, but the ordinary passenger still loses. And, of course, there's that fellow who will always shrug and say, “It’s just business, after all.”

Fuel prices are not just about transportation. When fuel goes up, everything else follows:

  • rent


  • foodstuff

  • utilities

  • school fees

  • basic services

Fuel is the bloodstream of the economy. So when prices rise, life becomes more expensive. But when prices fall, the relief rarely trickles down. The burden is passed on quickly; the benefit is hoarded patiently.

But when fuel prices drop, the market behaves as though nothing happened. No relief. No adjustment. Just silence, and higher fares.

This isn’t new. Anyone who has braved the Kaneshie–Takoradi lorry stations, where the sun doubles as a roasting oven, or Kwame Nkrumah Circle in Accra knows the drill: long queues, impatient passengers, and vehicles en route to Accra that appear to be on a sightseeing mission through Narnia.

Supply meets demand? In theory, yes. In practice, it’s a comedy of scarcity.

Vehicles are few, demand is high, and when opportunity knocks, artificial shortages answer. The result? Fares spike, and citizens suffer. This pattern isn’t unique to transport. Ghana’s commodities market tells the same story: sudden shortages signal price hikes, and the ‘kalabule’ people thrive, hoarding goods and manufacturing scarcity to profit from collective hardship.

Here lies the uncomfortable question: who protects the consumer?

In moments like these, the absence of effective consumer protection and clear regulation becomes glaring. When fuel prices go up, fare increments are swift and unquestioned. When fuel prices come down, silence reigns. No benchmarks. No enforcement. No accountability.

The market is allowed to regulate itself, and unsurprisingly, it regulates itself against the weakest player: the ordinary consumer.

Of course, the common man isn’t entirely innocent either. Vehicle scarcity and fare hikes ripple through the market. Vendors raise prices to cover transport costs. Goods become more expensive. And consumers, knowingly or not, sustain the very system they complain about.

Again, that fellow will shout, “It’s business smart!” But what happened to integrity? To humanity?

What about the person struggling to afford daily bread? The patient choosing between transport and medication? The child missing school because parents can no longer manage transport costs?

We are part of this system. Drivers exploit scarcity. Vendors pass on costs. Consumers comply, adapt, and survive.

We are the initiators, the catalysts, the consequences, and the victims, all at once.

It’s tragic, yes. But if you allow yourself to see it, it’s also darkly funny. Prices rise. Shortages persist. And we continue this dance of cause and effect, pretending surprise each time the music plays.

One day, maybe, we will take accountability. Until then, hold your fare money tight, bring a hat for the Kaneshie queue, and try not to cry too loudly.

Because whiles passengers cry, drivers keep smiling, and we clap politely, pretending the system isn’t partly ours.

Until things change, the drama will remain.

Old problem. Old comedy.
When drivers rejoice, passengers cry.

Sunday, January 18, 2026

My Portfolio....


 

Over the years, I’ve had the opportunity to see several of my screenwriting projects move from script to screen, across film, television, web series, and stage. Below is a simple overview of some of my produced and recognized works.


Film

Sink or Swim: The Perilous Journey (2017)
Feature Film – Docu-Drama

This film marked a major milestone in my career as a screenwriter. It went on to win Overall Best Feature Film and Best Actor (Ama K. Abrebrese) at the Newark International Film Festival, Newark NJ (2017). The story explores the emotional and physical toll of a perilous journey driven by desperation, hope, and survival.


Television & Streaming – ROK TV

I have written several projects for ROK TV, including:

  • Greetings from Abroad

  • Touché: In the Dark

  • Without Bounds

  • The Graduation

  • Dark Label

  • Rewind

These projects span drama and thriller genres, with a focus on contemporary stories and character-driven narratives.


Television & Streaming – DStv Akwaaba Magic

Selected projects written for DStv Akwaaba Magic include:

  • Weight Up

  • Woe to Men

  • Sevsu (Crime Series)

  • Market Queens – Seasons 1 & 2 (Drama Series)

  • In-Between Files

  • Finding Daisy

  • Kpakpo My Husband

  • The Purse

  • Apoofee (Drama Series)

These works range from family drama and romance to crime and social commentary.


Festival-Recognised Screenplay

The Storm
Feature Film (Screenplay)

This screenplay has received official selections at several film festivals, highlighting its strong narrative and cinematic potential.


Stage Works

I have also written for the stage, with produced plays including:

  • Still a Rose

  • Fowls for Sale

  • Women at Work (3 versions)


Web Series

All Walks of Life – Season 2
Web Series (Access Bank)

I served as the writer for Season 2 of All Walks of Life, a branded web series that tells relatable human stories through everyday experiences.


These projects represent just a selection of my work, reflecting my interest in culturally grounded, character-driven storytelling across different formats.

Friday, January 16, 2026

“Aluta Continua! When the Future is Cloaked in Party Colours”


Aluta Continua! The elections are long over, yet the campaign drums continue to beat. The posters may be fading, but the divisions remain fresh. The fires of partisan loyalty are still being stoked, long after the ballots have been counted.

We often remind ourselves that “children are the future.” We say it with pride, with hope. And yet, when we look closely at the tone of our political discourse; on our airwaves, in our homes, and across social media. We are compelled to ask a sobering question: where does that future truly lie? Is it one we are carefully building together, or one we are unconsciously surrendering to endless political contestation? Is it renewal we seek, or simply Aluta Continua; the struggle without end?

Increasingly, our national conversations seem less about the colours of our flag and more about the colours of our parties. Too often, the focus shifts from collective progress to electoral victory, from national interest to partisan gain. In such moments, one cannot help but wonder where this path leads us as a people.

It is worrying to watch promises rain down freely; promises tailored not to citizens, but to party faithful. In this climate, what becomes of the ordinary Ghanaian with no party card, no political godfather, no allegiance but to the nation itself? What becomes of the young person who simply wants a fair chance at life? And so the question persists: where does the future of this country, and of the next generation, truly rest? Do we remain silent as politics continues to divide and distract us from our shared needs? Aluta Continua?

As a nation, we are not short of conversations about our challenges. We speak openly of unemployment, of youth frustration, of poor roads, struggling hospitals, under-resourced schools, rising prices, taxes, and daily hardship. Ironically, those most affected; our youth, often appear the least invested in demanding lasting solutions. In one breath, we lament the system; in the next, we defend it. And so, Aluta Continua.

We urge our young people to study hard, to work hard, to prepare themselves to one day lead this nation. But what kind of leadership will emerge if the same youth allow themselves to be used as tools in political games that ultimately harm the very future they are meant to inherit? What becomes of tomorrow when today is spent trading principles for short-term gains?

Across social media, the evidence is plain to see. Young people tear into one another over national issues; not to find solutions, but to score political points. Instead of holding leadership accountable, many become its loudest defenders. Instead of demanding integrity, they settle for crumbs. Instead of protecting the future, they mortgage it.

And yet, these same young people wake up each day burdened by uncertainty; by the search for work, for opportunity, for survival. Still, they rise to defend political benefactors and so-called godfathers, even as the nation’s resources slip through our fingers and the gap between promise and reality widens. Aluta Continua.

“Arise Ghana Youth for your country!” This line from our patriotic song is more than ceremonial poetry; it is a call to conscience. A call for the youth to recognize their power, to guard their future fiercely, and to refuse the easy lure of political gimmicks designed to benefit a few at the expense of many.

Today, we see young men and women being groomed; sometimes openly sponsored, to inherit political structures steeped in corruption and self-interest. The danger is not ambition itself, but ambition devoid of principle. When legacy becomes about replacement rather than reform, the cycle continues unbroken.

Like Joseph Koomson in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born, some aspiring leaders appear less interested in changing the system than in occupying its comfortable spaces. Their loud attacks on rivals are often not acts of conviction, but strategies for entry; keys to doors they hope will grant them access to the same spoils.

And so, we are left to wonder: what does the future truly hold for this country? How long will we pretend not to see what is plainly before us? When will we summon the courage, not to insult or destroy, but to firmly and lovingly call out what threatens our collective progress?

This is not an attack. It is an appeal. An appeal to memory, to responsibility, and to hope.

An appeal to place country above colour, future above faction, and conscience above convenience.

Because if we do not pause to ask these questions now, history may one day ask them of us, and our silence may be the answer.

Aluta Continua? Or a new beginning?

nnhanson2@yahoo.com


Fuel Prices Drop, Transport Fares Stay High: A Familiar Ghanaian Story

  Fuel prices have dropped, hooray! Whiles the car-owner is quietly popping champagne, or at least imagining it, the ordinary passenger is c...